10:00–10:15: Registration

10:15–10:30: Introduction: Lydia Goodson and Genevieve Verdigel

10:30–11:30: Session 1: Making and Materiality

            Chair: Alexander Röstel (Courtauld Institute / The National Gallery)

• Ang Li (University of Oxford): ‘The Revival of Gold Ground in Late Fifteenth-Century Italian Paintings.’

• Benedetta Pacini (University of Warwick/ The National Gallery): ‘Making and Moving Venetian Renaissance Paintings: my interviews with chief restorers in Venice and London, and archival records about Tintoretto’s transport strategy.’

11:30–11:45: Break (Tea and Coffee Provided)

11:45–12:45: Session 2: Attribution and Authorship

            Chair: Dr Olenka Horbatsch (British Museum; PhD 2017, University of Toronto)

• James Wehn (Case Western Reserve University/ The Cleveland Museum of Art): ‘The Maker’s Image: Israhel van Meckenem, His Name, and His Copies.’

• Catherine Spirit (University of York): ‘Weaving Light: Untangling Authorship in the Windows of All Saints Church, Earsham.’

12:45–13:45: Lunch (Provided for Speakers and Chairs)

13:45–14:45: Session 3: Prestige and Patronage

            Chair: Adriana Concin (Courtauld Institute)

• Dr Ilaria Taddeo (PhD 2017, IMT School for Advanced Studies, Lucca): ‘Artistic Patronage, Family Prestige and Religious Politics. The case of the Guidiccioni between Lucca and Rome (c. 1530-1550).’

• Anne-Sophie Laruelle (University of Liège): ‘Reconsidering Tapestry Patronage and Trade in the Renaissance.’

14:45–15:00: Break (Tea and Coffee Provided)

15:00–16:00: Session 4: Itinerancy and Interchange

            Chair: Lois Haines (Warburg Institute / The National Gallery)

• Giulio Dalvit (Courtauld Institute): ‘Circulation of Drawings in Castiglione Olona: Masolino, Paolo Schiavo, Vecchietta, Domenico Veneziano and Cyriacus of Ancona.’

• Matthew Whyte (University College, Cork): ‘Stylistic Exchange and Civic Identity in Michelangelo’s work on the Arca di San Domenico in Bologna.’

16:05–16:55: Session 5: Opening New Dialogues

• Professor Michelle O’Malley (Deputy Director; PhD, Warburg Institute): ‘The Specifics of Authorship: Attributing Production.’

16:55–17:00: Concluding Remarks

17:00–18:00: Reception